we began with drawing and thinking in space. in our first project, we composed an image (right) using an object and a verb, in my case, a leftover piece of styrofoam lodged into a staircase railing.
from this image, we extracted orthographic views and hybridize them into new forms, shifting fluidly between seeing a drawing as a proposal and as raw material for the next iteration.
in my own work, i was challenged to bring a new level of rigor to my process and found a clearer appreciation for the balance between the perfection of elegance and the rough edges of humanity.
orthography
10‘
x 10’ plan
10’ x 10’ elevation
10’ x 10’ section
5’ x 5’ plan
5’ x 5’ elevation
5’ x 5’ section
1’ x 1’ plan
1’ x 1’ elevation
1’ x 1’ section
transformation
my own rules for generating the sections were simple: filled areas must be contiguous and as sections develop (another layer is added) the overlap across drawings creates areas of continuity and disruption, allowing the structure to naturally grow and crumble in space.
narrative building
my assembled sections evoked a scene of a distant future’s collapsed wreckage, concrete and steel eroding in a wasteland. I began to ruminate on the dynamic between building and nature, the way our structures balance against the forces surrounding them before they are ultimately consumed by them.
entropy
balance